Softcast
Softcast
Recently, I started investigating new methods: casting forms and textures of fabrics in handmade paper that I process and dye with natural dyes. By using soft molds I am hardening a moment of memory on cloth that has been created by repetitive handworks. I am honoring old skilled crafts such as shibori and the labor that goes into them.
In-betweenness
2022, Installation: kozo (mulberry fiber), pins
I have been exploring the technique, “nagashikomi” in order to cast the textures of clothing. This series is about human connection. Instead of fighting, I like to see that people are holding hands. Clothing without human bodies can show gestures, personalities, and what is lost.
Cluster
2021, kozo (mulberry fiber), natural dyes
Luminaries I
2019, Paper casting: kozo (mulberry bark fiber), turmeric, wooden hoops, 14”x 165”x2”
Luminaries II
2019, Paper casting: kozo (mulberry bark fiber), turmeric, wooden hoops, 60”x60”x2”
Square Blossom
2019, Paper casting: kozo (mulberry bark fiber), fustic, wood, 34”x98”x3” (15”x15”x3” each)
Square Blossom (detail)
2019, Paper casting: kozo (mulberry bark fiber), fustic, wood, 34”x98”x3” (15”x15”x3” each)
flow(n)
2019, Installation: abaca fiber, polyester, pins, 15’x15’ and 15’x7’
flow(n) (detail)
2019, Installation: abaca fiber, polyester, pins, 15’x15’ and 15’x7’